![]() ![]() Just one tap starts a scheduled meeting, a spontaneous meeting, or a conference call. lets you host audio calls, video calls, present documents, and share your screen or whiteboards right from your iPad or iPhone. Just type in the meeting code and you’re on the same page, even if you’re hundreds of miles away. Join a meeting, call, or video conference instantly from anywhere. Whether at home, at the airport, or in a coffee shop – everyone can join in the conversation with. All in the same personal meeting experience you know and love. And the collaboration doesn’t stop there – you can chat, record a meeting, even use our mobile whiteboard to brainstorm ideas. Connect to crystal clear VoIP audio, even while sharing a document. Join a conference call, host a video conference, share content no matter where you are. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz.Get more done on the go with ! Host or join an online meeting from your iPhone or iPad. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. Noted jazz and pop record producer Thiele offers a chatty autobiography. By the time we reach the minor-key denouement-Wallace intends to relinquish Join Me, but is voted the collective’s “Leader”-only the most guileless readers will think the journey worthwhile.Īn odd tale, reflecting the motivations of contemporary group-think, but otherwise skippable. (Even his shabbily treated, long-suffering girlfriend finally wises up and dumps him.) For a sense of movement, the joke-heavy prose relies principally on disingenuous false surprise and wisecracks that refer back to the preceding paragraph, tactics that quickly become tiresome. The organization’s purpose amounted to vaguely defined minor philanthropy: “They wanted to do good,” Wallace enthuses about his joinees, “they just never had enough of an excuse before.” Yet the “good” seems limited to random acts of kindness directed toward elderly pensioners, while the rambling narrative becomes increasingly subordinate to the ego-demands of its author’s exhibitionistic and hectoring personality. While this alienated some, resulting in a bit of hate mail, a surprising number of high-spirited nonconformists continued to join this collective (or “cult,” as many wags dubbed it), leading its instigator to set a thousand joinees as an ostensible goal. Wallace was so pleased to meet the first iconoclasts who joined-each of these early meetings is recreated in exhaustive detail-that he began to obsessively propagate Join Me, spreading the word online and with flyers, still without divulging any specifics. He was inspired to this eccentric project by boredom and a great-uncle’s death at the funeral, he learned that the uncle had been much mocked in youth for attempting to form a farming commune and impulsively decided to revive the project. In 2002, Wallace placed a small ad in a London paper exhorting readers to “Join Me!” by sending him a passport-sized photo, but giving no other details about his reasons or intentions. Idiosyncratic memoir of a London journalist’s experiences forming a “karma army.” ![]()
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